2015 Cue Awards Nominees
BEST ORIGINAL SCORE
- Halo 5: Guardians (Kazuma Jinnouchi)
- Jupiter Ascending (Michael Giacchino)
- Keiseisaimin no Otoko Takahashi Korekiyo (Naoki Sato)
- Star Wars: The Force Awakens (John Williams)
- Wolf Totem (James Horner)
THEME OF THE YEAR
- Light is Green (Halo 5: Guardians, Kazuma Jinnouchi)
- Jupiter Ascending Fanfare (Michael Giacchino)
- Rey's Theme (Star Wars: The Force Awakens, John Williams)
- Theme from Ant-Man (Christophe Beck)
- Theme from Wolf Totem (James Horner)
OUTSTANDING COMPOSER
- James Horner
- Lorne Balfe
- Michael Giacchino
- Naoki Sato
- Yugo Kanno
BREAKOUT COMPOSER
- Gareth Coker
- Kazuma Jinnouchi
- Ludwig Goransson
- Robert Gulya
- Daniel Pemberton
- Bridge of Spies (Thomas Newman)
- Creed (Ludwig Göransson)
- Far from the Madding Crowd (Craig Armstrong)
- Steve Jobs (Daniel Pemberton)
- Wolf Totem (James Horner)
BEST SCORE: ACTION
- Kingsman: The Secret Service (Henry Jackman/Matthew Margeson)
- The Man from U.N.C.L.E. (Steve Jobs)
- Mission: Impossible - Rogue Nation (Joe Kraemer)
- San Andreas (Andrew Lockington)
- Tom Sawyer and Huckleberry Finn (Robert Gulya)
BEST SCORE: ANIMATION
- Gamba (Benjamin Wallfisch)
- The Good Dinosaur (Mychael Danna/Jeff Danna)
- Home (Lorne Balfe)
- Inside Out (Michael Giacchino)
- The Little Prince (Richard Harvey/Hans Zimmer)
BEST SCORE: SCI-FI/FANTASY
- Cinderella (Patrick Doyle)
- Jupiter Ascending (Michael Giacchino)
- Pan (John Powell)
- Parasyte (Naoki Sato)
- Star Wars: The Force Awakens (John Williams)
BEST SCORE: VIDEO GAME
- Civilization: Beyond Earth - Rising Tide (Geoff Knorr/Grant Kirkhope/Griffin Cohen)
- Halo 5: Guardians (Kazuma Jinnouchi)
- Ori and the Blind Forest (Gareth Coker)
- Revelation (Neal Acree)
- Starcraft II: Legacy of the Void (Jason Hayes/Mike Patti/Neal Acree)
BEST CUE
- A Boy Who Could Fly (Pan, John Powell)
- As the Jurassic World Turns (Michael Giacchino)
- The Jedi Steps and Finale (Star Wars: The Force Awakens, John Williams)
- Return to the Wild (Wolf Totem, James Horner)
- The Trials (Halo 5: Guardians, Kazuma Jinnouchi)
BEST SCORE: TV
- Da Vinci's Demons: Season 3 (Bear McCreary)
- Fargo: Season 2 (Jeff Russo)
- Keiseisaimin no Otoko Takahashi Korekiyo (Naoki Sato)
- The Knick: Season 2 (Cliff Martinez)
- Texas Rising (Bruce Broughton/John Debney)
RECORD LABEL OF THE YEAR
- Intrada Records
- La-La Land Records
- MovieScore Media
- Varese Sarabande
- Walt Disney Records
So what do you think of this year's nominees? Any surprises? Disappointments?
Also, don't forget to cast your vote for each category in this year's GENIUS CHOICE VOTE!
Saturday, February 20, 2016
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2015 IFMCA AWARDS
INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2015 IFMCA AWARDS; JOHN WILLIAMS WINS THREE AWARDS FOR STAR WARS
FEBRUARY 18, 2015 — The International Film Music Critics Association (IFMCA) announces its list of winners for excellence in musical scoring in 2015, in the 2015 IFMCA Awards.
The award for Score of the Year goes to composer John Williams for his work on the massively popular and successful epic science fiction fantasy “Star Wars: The Force Awakens,” from director J. J. Abrams. IFMCA member James Southall said that “the Force remains strong in John Williams and long may it continue” and called the score “glorious,” while IFMCA member Christian Clemmensen called the score “a powerfully melodic and excitingly complex piece of grand artistry from an era of greatness that only John Williams in top form could deliver.” “Star Wars: The Force Awakens” is also named Best Score for a Fantasy/Science Fiction/Horror Film, and wins the Film Music Composition of the Year award for the film’s conclusive end credits suite, “The Jedi Steps and Finale”. These are the thirteenth, fourteenth, and fifteenth IFMCA Awards of Williams’s career, and it marks the third time he has been awarded Score of the Year, after “Memoirs of a Geisha” in 2005, and “War Horse” in 2011.
Composer Michael Giacchino is named Composer of the Year, having written four outstanding works spanning multiple genres in the past year. His work in 2015 includes scoring the emotional Disney/Pixar film “Inside Out,” which is also named Best Score for an Animated Film; the ambitious science fiction adventure “Jupiter Ascending,” which was nominated in multiple genres including Score of the Year; the fantastical adventure “Tomorrowland,” which was nominated for Film Music Composition of the Year; and the massively successful action-adventure “Jurassic World,” which built on John Williams’s score for the first film featuring genetically modified dinosaurs running amok in a lavish theme park. IFMCA member Karol Krok called “Inside Out” “enjoyable and endearing,” while IFMCA member Charlie Brigden said that “Jurassic World” “displays just how much of a command [Giacchino] has over a modern symphony”. These are the thirteenth and fourteenth IFMCA Awards of Giacchino’s career, and it marks the third time he has been named Composer of the Year, following his previous wins in 2004 and 2009.
The IFMCA’s ongoing recognition of emerging talent in the film music world this year spotlights Italian composer Maurizio Malagnini, who is named Breakthrough Composer of the Year. Malagnini has been working primarily in world of British television since he first emerged onto the scene in 2010, writing scores for popular shows such as “Muddle Earth,” “The Body Farm,” “The Paradise,” and “Call the Midwife,” but really impressed IFMCA members this year with his first major film score for a new version of the classic Peter Pan story, “Peter & Wendy”. IFMCA member Jon Broxton called “Peter & Wendy” “undoubtedly one of the best scores of 2015”, while IFMCA member Peter Simons described the score as being “so infectious, so colourful, playful and utterly charming”.
The various other genre awards are won by James Horner for the epic Chinese-language drama “Wolf Totem”; Douglas Pipes for the mischievous and malevolent Christmas comedy “Krampus”; Joe Kraemer for the exciting retro action score for “Mission: Impossible – Rogue Nation”; and Steven Price for his music for the BBC nature documentary “The Hunt”.
In the non-film categories, Argentine composer Federico Jusid wins the award for Best Original Score for a Television Series for the third year in a row, this time for his astonishing score for the Spanish historical TV drama “Carlos, Rey Emperador,” the sequel to the multi-award winning “Isabel,” while composer Austin Wintory wins the award for Best Original Score for a Video Game or Interactive Media for his groundbreaking work on “Assassin’s Creed” Syndicate”, a score which not only includes classical dances used as action cues, but also a number of original ‘murder ballads’ penned in collaboration with Australian musical comedy group Tripod.
Oakland, California-based Intrada Records is named Film Music Record Label of the Year in recognition of their ongoing excellence in restoring and releasing the most beloved film scores of the past, while film music historian and writer Jon Burlingame wins the Archival Compilation award for the wonderful box set of music from the original 1960s “Mission: Impossible” he produced for La-La Land Records. Interestingly, both the Archival Re-Release and Re-Recording categories are won by different versions of Bernard Herrmann’s 1976 score for the psychological thriller “Obsession” – firstly, the outstanding release of the original score tracks by French label Music Box Records and producers George Litto, Laurent Lafarge, and Cyril Durand-Roger; and secondly, the magnificent re-recording of the entire score by the City of Prague Philharmonic Orchestra conducted by Nic Raine, and produced by James Fitzpatrick for Tadlow Music.
Finally, the IFMCA has decided to bestow a rare Special Award on the late James Horner, for his classical work “Pas de Deux”. The piece is a double concerto for violin, cello, and orchestra, and was commissioned by the Norwegian brother/sister musical duo Mari Samuelsen and Hakon Samuelsen. The work was released through Mercury Classics and Universal Music in May 2015, and represented the first of several anticipated major excursions into pure classical music – what would have been a new and exciting phase in the composer’s musical career, especially since his first, abortive attempts in the late 1970s and early 1980s failed to ignite the public’s imagination. Sadly, with the composer’s tragic death in a plane crash in June, it also represents ‘what might have been,’ and this award is intended to be a tribute in recognition the composer’s life and work, and all the great unheard music that died with him.
=============================================
COMPLETE LIST OF WINNERS
FILM SCORE OF THE YEAR
• Star Wars: The Force Awakens, music by John Williams
COMPOSER OF THE YEAR
• Michael Giacchino
BREAKTHROUGH COMPOSER OF THE YEAR
• Maurizio Malagnini
FILM MUSIC COMPOSITION OF THE YEAR
• “The Jedi Steps and Finale” from Star Wars: The Force Awakens, music by John Williams
BEST ORIGINAL SCORE FOR A DRAMA FILM
• Wolf Totem, music by James Horner
BEST ORIGINAL SCORE FOR A COMEDY FILM
• Krampus, music by Douglas Pipes
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
• Mission: Impossible - Rogue Nation, music by Joe Kraemer
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
• Star Wars: The Force Awakens, music by John Williams
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• Inside Out, music by Michael Giacchino
BEST ORIGINAL SCORE FOR A DOCUMENTARY
• The Hunt, music by Steven Price
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
• Carlos, Rey Emperador, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Assassin’s Creed: Syndicate, music by Austin Wintory
BEST NEW ARCHIVAL RELEASE - RE-RELEASE OF AN EXISTING SCORE
• Obsession; music by Bernard Herrmann, album produced by George Litto, Laurent Lafarge, and Cyril Durand-Roger, liner notes by Daniel Schweiger, album art direction by David Marques (Music Box)
BEST NEW ARCHIVAL RELEASE - RE-RECORDING OF AN EXISTING SCORE
• Obsession; music by Bernard Herrmann, performed by the City of Prague Philharmonic Orchestra cond. Nic Raine, album produced by James Fitzpatrick, liner notes by Christopher Husted, album art direction by Matthew Wright and Damien Doherty (Tadlow)
BEST NEW ARCHIVAL RELEASE - COMPILATION
• Mission: Impossible – The Television Scores; music by Various Artists, album produced by Jon Burlingame, liner notes by Jon Burlingame, album art direction by Joe Sikoryak (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada Records, Douglass Fake, Roger Feigelson
SPECIAL AWARD
• Pas de Deux, classical work by James Horner, commissioned by violinist Mari Samuelsen and cellist Hakon Samuelsen
#######################################
The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing and broadcasting about original film, television and game music.
Since its inception the IFMCA has grown to comprise over 65 members from countries such as Australia, Belgium, Canada, Chile, France, Germany, Greece, Ireland, Italy, the Netherlands, Norway, Poland, Romania, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.
Tuesday, December 29, 2015
Soundcast - Episode 83 - Star Wars: The Force Awakens
Episode 83 - Star Wars: The Force Awakens
The Soundcast returns to a galaxy far, far away! Author Doug Adams (The Music of the Lord of the Rings Films), Kristen Romanelli (Managing Editor of Film Music Magazine Online) and Eric Woods (Host of Cinematic Sound Radio) joins Marius, Edmund and Christopher for an in-depth discussion about John Williams' most recent score for STAR WARS: THE FORCE AWAKENS. They discuss their reactions to the film, the music as a stand-alone listen as well as in context. They also dive into the new themes Williams introduces and his reprisals of classic themes and moments (some very surprising). Lastly, they share what their favorite musical moments from the score and film are.
Episode Highlights
00:44 — Welcome and Intros
07:40 — How we watched the film
16:10 — Movie reaction (non-spoilers)
44:04 — Music reaction (Spoilers)
68:42 — The Major Themes (Spoilers)
115:11 — Our favorite musical moments (Spoilers)
135:32 — Final Thoughts/ Burning Homestead (Spoilers)
Music Selections
00:00 — "Scherzo for X-Wings" (Star Wars: The Force Awakens) by John Williams
15:43 — "I Can Fly Anything" (Star Wars: The Force Awakens) by John Williams
43:45 — "Kylo Ren Arrives at the Battle" (Star Wars: The Force Awakens) by John Williams
69:00 — "Rey's Theme" (Star Wars: The Force Awakens) by John Williams
75:22 — "The Falcon" (Star Wars: The Force Awakens) by John Williams
80:20 — "Kylo Ren Arrives at the Battle" (Star Wars: The Force Awakens) by John Williams
82:58 — "Snoke" (Star Wars: The Force Awakens) by John Williams
85:27 — "Palpatine's Teachings" (Star Wars: Revenge of the Sith) by John Williams
89:01 — "Main Title/ Attack on the Jakku Village" (Star Wars: The Force Awakens) by John Williams
99:05 — "March of the Resistance" (Star Wars: The Force Awakens) by John Williams
100:51 — "The Shark Cage Fugue" (Jaws) by John Williams
102:26 — "The Jedi Steps and Finale" (Star Wars: The Force Awakens) by John Williams
106:14 — "The Hologram/ Binary Sunset" (Star Wars: A New Hope) by John Williams
115:24 — "The Ways of the Force" (Star Wars: The Force Awakens) by John Williams
116:03 — "The Starkiller" (Star Wars: The Force Awakens) by John Williams
117:08 — "The Falcon" (Star Wars: The Force Awakens) by John Williams
120:49 — "Han and Leia" (Star Wars: The Force Awakens) by John Williams
126:47 — "Rey's Theme" (Star Wars: The Force Awakens) by John Williams
127:45 — "Snoke" (Star Wars: The Force Awakens) by John Williams
128:18 — "Main Title/ Attack on the Jakku Village" (Star Wars: The Force Awakens) by John Williams
135:46 — "Burning Homestead" (Star Wars: A New Hope) by John Williams
140:46 — "The Jedi Steps and Finale" (Star Wars: The Force Awakens) by John Williams
Notes:
Follow Doug Adams on Twitter or visit www.themusicoflotr.com
Follow Kristen Romanelli on Twitter or visit fsmagonline.com
Follow Eric Woods on Twitter or visit cinemanticsound.net
Follow Marius Masalar on Twitter
Follow Edmund Meinerts on Twitter
Follow Christopher Coleman on Twitter.
Support Tracksounds:
Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!
Buy Soundtracks at Amazon.com
Download the Episode
Subscribe and More Info
Friday, July 24, 2015
Soundcast Interview: Brian Tyler (2015) Part 2
Interview: Brian Tyler (2015) Part 2 of 2
Brian Tyler talks about what it was like working with Joss Whedon (Director) and Kevin Feige (Producer) on Avengers: Age of Ultron and just how much of a knowledgeable film music fan Kevin Feige truly is! Tyler goes on to talk about one of the biggest "film music twists" of the year with the announcement of composer Danny Elfman joining him to write music for the second Avengers film. Lastly, Brian Tyler talks about what it is like to have now worked on three scores in the Marvel Cinematic Universe and what may be in store in Phase 3!
Episode Highlights
00:00 — Recap of Part 1 and Intro to Part 2
02:46 — No Marvel Theme
05:14 — Working with Joss Whedon
07:42 — Working with Kevin Feige
10:54 — The Big Twist - Danny Elfman
19:59 — Unreleased Score
24:52 — Comparing his three MCU scores
26:42 — Phase 3
28:22 — Final thoughts
Music Selections
00:00 — "Fighting Back" (Avengers: Age of Ultron) by Brian Tyler
10:31 — "Heroes" (Avengers: Age of Ultron) by Danny Elfman
21:04 — "Vision" (Avengers: Age of Ultron) by Brian Tyler
24:52 — "Battle Finale" (Iron Man 3) by Brian Tyler
25:56 — "Asgard" (Thor: The Dark World) by Brian Tyler
27:55 — "Age of Ultron" (Avengers: Age of Ultron) by Brian Tyler
28:25 — "Birth of Ultron" (Avengers: Age of Ultron) by Brian Tyler
Notes:
Follow Brian Tyler on Twitter.
Visit Brian Tyler's Official Website
Follow Christopher Coleman Twitter.
Support Tracksounds:
Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!
Buy Soundtracks at Amazon.com
Download the Episode
Subscribe and More Info
Monday, July 06, 2015
Bonus SoundCast - Remembering James Horner
Bonus - The Soundcast Remembers James Horner
The Soundcast and Tracksounds team come together to talk about composer James Horner. The team has a bit of a group therapy session as they share their own stories of the first time they each took note of the name, "James Horner," their thoughts on his lasting legacy in the film music genre, the score that epitomizes James Horner's work. The main points of discussion are divided by clips from some of James Horner's lesser known, yet no less compelling, works.
Episode Highlights
00:00 — Introduction
04:22 — Hearing the bad news
10:09 — Our first James Horner score
21:48 — James Horner's place in history
34:23 — Some personal stories
41:22 — The epitome of James Horner
08:51 — Introduction to special tribute
36:08 — Close
Music Selections
00:00 — "There's No Goodbye ... Only Love" (Perfect Storm) by James Horner
19:48 — "A Far Away Time" (To Gillian on her 37th Birthday) by James Horner
33:35 — "Time Brings All Things To Light ... I Trust It So" (All The King's Men) by James Horner
40:15 — "Fresh Water" (Black Gold) by James Horner
52:33 — "Fallen Friends" (In Country) by James Horner
Support Tracksounds:
Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!
Buy Soundtracks at Amazon.com
Download the Episode
Subscribe and More Info
Sunday, June 28, 2015
A Composer Tribute to James Horner
A Composer Tribute to James Horner
Twenty-one film, television, video game composers deliver their heart-felt thoughts and reflections about the man, James Horner, and his music. Listen to their thoughts set to many of James Horner's most memorable scores.
DOWNLOAD THE EPISODE
SUBSCRIBE
Episode Highlights
00:00 — Introduction
01:00 — Austin Wintory
02:34 — Debbie Wiseman
03:51 — Greg Edmonson
05:21 — Frederick Wiedmann
07:12 — Jeff Rona
08:51 — Introduction to special tribute
09:23 — Jo Blankenburg
10:41 — Grant Kirkhope
12:07 — Mark Griskey
15:36 — Jason Graves
17:03 — Neal Acree
07:57 — Garry Schymann
20:02 — Sam Hulick
20:45 — Introduction to special tribute II
21:12 — Chance Thomas
23:17 — Jessica Curry
24:10 — Scott Glasgow
27:10 — Rolfe Kent
28:20 — Penka Kouneva
30:30 — James Christopherson
31:36 — Elia Cmiral
32:13 — Olivier Deriviere
33:54 — Kathryn Bostic
36:08 — Close
Music Selections
00:00 — "Teaching Mathematics Again" (A Beautiful Mind) by James Horner
00:54 — "Closing Credits" (A Beautiful Mind) by James Horner
02:38 — "Epilogue" (Searching for Bobby Fischer) by James Horner
04:51 — "An Epitaph to War" (Glory) by James Horner
23:44 — "Part 2" (Iris) by James Horner
07:25 — "The Lovemaking" (Cocoon) by James Horner
09:23 — ""Wunderkind" by Jo Blankenburg
10:30 — "Main Title" (Battle Beyond the Stars) by James Horner
12:26 — "Deciding to Build the Field" (Field of Dreams) by James Horner
13:33 — "All Systems Go" (Apollo 13) by James Horner
16:02 — "The Ludlows" (Legends of the Fall) by James Horner
18:48 — "Casper's Lullaby" (Casper) by James Horner
19:52 — "A Kaleidoscope of Mathematics" (A Beautiful Mind) by James Horner
20:48 — "Becoming One of the People…" (Avatar) by James Horner
21:45 — "Suite from Avatar: The Video Game by Chance Thomas
23:17 — "Main Title - Takeoff (The Rocketeer) by James Horner
30:23 — "Rose" (Titanic) by James Horner
29:05 — "My Heart Will Go On" (Titanic) by James Horner
30:23 — "Main Title" (Braveheart) by James Horner
33:08 — "The Passage of Time" (Bicentennial Man) by James Horner
35:02 — "All Love Can Be" (A Beautiful Mind)
Notes:
Special THANKS to all of the composers listed above who gave of their time to contribute to this project. Also thanks to The Krakower-Poling PR and Costa Communications for their assistance.
Austin Wintory - http://austinwintory.com/
Debbie Wiseman - http://www.debbiewiseman.co.uk/
Greg Edmonson - http://gregedmonson.com/
Frederick Wiedmann - http://www.frederikwiedmann.com/
Jeff Rona - http://jeffrona.com/
Jo Blankenburg - http://joblankenburg.com/
Grant Kirkhope - http://www.grantkirkhope.com/
Mark Griskey - http://www.griskey.com/
Jason Graves - http://www.jasongraves.com/
Neal Acree - http://www.nealacree.com/
Garry Schymann - http://garryschyman.com/
Sam Hulick - http://samhulick.com/
Chance Thomas - http://www.chancethomas.com/
Jessica Curry - http://www.thechineseroom.co.uk/
Scott Glasgow - http://www.scottglasgowmusic.com/
Rolfe Kent - http://www.rolfekent.com/
Penka Kouneva - http://www.penkakouneva.com/
Jamie Christopherson - http://www.jamiechristopherson.com/
Elia Cmiral - http://www.eliacmiral.com/
Olivier Deriviere - http://olivierderiviere.com/
Kathryn Bostic - http://www.kathrynbostic.com/
Follow Christopher Coleman Twitter.
Support Tracksounds:
Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!
Buy Soundtracks at Amazon.com
Download the Episode
Subscribe and More Info
Sunday, June 21, 2015
Interview: Brian Tyler (2015) Part 1
Interview: Brian Tyler (2015) Part 1 of 2
Having, not one, but two $1 Billion + box office smashes in less than two months, Brian Tyler shares his perspective on how long one can bathe in the afterglow of such success. He also talks about two of his recent forays into sports via his NFL theme for ESPN and, most recently, his new theme for the USGA's 2015 US Open. Finally, Christopher Coleman puts the ultimate question to him, "If you had to pick just one, which franchise would you choose to write a score for, Star Wars or Star Trek?"
Episode Highlights
00:08 — Introduction: Brian Tyler
02:43 — In the Afterglow of The Furious Age
13:40 — Writing the USGA - 2015 US Open Theme
18:41 — Upcoming project - "Truth"
19:37 — Box Office and Soundtrack Sales
22:45 — Writing ESPN's NFL Theme
26:30 — Star Wars or Star Trek?
33:51 — Wrap up and Intro to 2015 US Open Theme
Music Selections
00:00 — "Rise Together" (Avengers: Age of Ultron) by Brian Tyler
01:00 — "Operation Ramsey" (Furious 7) by Brian Tyler
06:30 — "Farewell" (Furious 7) by Brian Tyler
14:22 — "Olympic Fanfare Medley" (John Williams Greatest Hits 1969 - 1999)
23:44 — "Main Theme" (ESPN's NFL) by Brian Tyler
33:38 — "The Mission" (Avengers: Age of Ultron) by Brian Tyler
34:55 — "US Open Theme" (US Open Theme) by Brian Tyler
Notes:
Follow Brian Tyler on Twitter.
Visit Brian Tyler's Official Website
Follow Christopher Coleman Twitter.
Support Tracksounds:
Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!
Buy Soundtracks at Amazon.com
No comments:
Post a Comment